Mimouni
My painting could be compared to archaeology, a passion for rediscovering the lost object, a universe of forms , signs, traces and memories. These are places of inspiration, or graphic breaths, of simple forms, of rapid writing, of the exploration of exterior and interior spaces. My quest draws on memories, recollections of forms, tangled curves, nervous quick lines that are never shown in a static position, but a caught in full movement. This archaeology of materials is often found in my paintings. Here. besides the traces and gestures and signs, many intimate objects linked to my childhood abound.
The different modes of expression- drawing, painting and engraving – reflect my inquisitive mind. Paintings on reused papers are a vital and essential element of my work, perhaps because of their fragility. This is embodies in the action of the paper itself which can add a playful element to the painting, expanding its freedom through movement, making it breathe. The brittleness of the puddled clay architecture of Taroudant,my birthplace in Morocco, these walls where time has left its trace, and the monochromy bound to this soil,its wrench, all this maintain the deep affinity that I feel for its architecture, signs and pottery.
Constantly prodded by an urgent need to paint which drives me to the point of exhaustion, I want to transcribe my inner hustle and bustle.
Shahla Moghaddam
Inner peace and simplicity are main characteristics of the artwork of Shahla Moghaddam, designer and painter. These characteristics reflect upon the artist own qualities in which she demonstrates into her art. Shahla was born and raised in Tehran, Iran, and she graduated from The Culture and Literature School of Tehran. Throughout her solo career, Shahla has had nine solo exhibitions and more than 32 group exhibitions throughout the world. She has earned many awards and accolades in her profession. In the last seven years, Shahla has exhibited in many locations in the UA including Bally’s Hotel Las Vegas, Ryan Gallery Las Vegas, Markman Gallery Las Vegas and The Lagerquest Gallery in Atlanta. Shahla’s various years of experience have enhanced her eye for detail, choice of color and dramatic brush strokes which make her artwork a unique personal signature. Her art consists of the vast use of color, analysis of the forms of landscapes and figures and a unique composition. These are a result of her immense experience of various techniques that she employed in media. She has reached a personal analysis in her landscapes that create her signature in her work. Currently Shahla resides in Atlanta and in her studio she explores modern media of art and also new environments of society’s global nature in art.
Noureddine Daifallah
Moroccan Calligrapher born in 1960 in Marrakech where he teaches Fine Arts. His artwork has been exhibited in In Morocco, France, Spain, Portugal, Italy, UAE and Turkey. The Guggenheim Museum in New York acquired two of his paintings in 2002.
Abdul Qader Al Rais
It was not as an artist that Alison met Abdul Qader but as a rather shy, soft spoken meticulous “official” at the Ministry of Labour who in 1976 inspected her first application for residency in the UAE. A small biro sketch on a pad at his side was a clue to his other life, one that would lead to our paths intertwining over the ensuing 35 years.
Can you imagine the Arab World without Abdul Qader Al Rais ? His creativity dedication and sheer talent are a visual testament to the values, aspirations and achievements of a man and a nation.
So much has been written about his life and his work, work that doesn’t ask or need to be analysed, critical appraisal is inappropriate. All that is needed is a complete immersion into the poetic quality of his paintings, paintings richly full of honesty, integrity, tension and passion. True investments that reward at every level.
The Majlis Gallery is honoured to be associated with Abdul Qader, working with him is a delight. As we got to know him we came to appreciate his wonderful sense of fun and whimsy. His eyes twinkle with a joy of life, his hands move in descriptive arcs even when not holding a brush. He is the ultimate family man who cherishes those close to him. He loves his farm and giving guests incredible juices made from the fruit it produces. He is always delighted to talk with people about his life, thoughts, and work but most conversations finish with a small shrug of self depreciation and a comment of “ there we are “
A man who is a master of his craft though he won’t admit it, this sums up the man and the artist.
View Abdul Qader Al Rais Portfolio
Mimouni El Houssaine
My painting could be compared to archaeology, a passion for rediscovering the lost object, a universe of forms , signs, traces and memories. These are places of inspiration, or graphic breaths, of simple forms, of rapid writing, of the exploration of exterior and interior spaces. My quest draws on memories, recollections of forms, tangled curves, nervous quick lines that are never shown in a static position, but a caught in full movement. This archaeology of materials is often found in my paintings. Here. besides the traces and gestures and signs, many intimate objects linked to my childhood abound.
The different modes of expression- drawing, painting and engraving – reflect my inquisitive mind. Paintings on reused papers are a vital and essential element of my work, perhaps because of their fragility. This is embodies in the action of the paper itself which can add a playful element to the painting, expanding its freedom through movement, making it breathe. The brittleness of the puddled clay architecture of Taroudant,my birthplace in Morocco, these walls where time has left its trace, and the monochromy bound to this soil,its wrench, all this maintain the deep affinity that I feel for its architecture, signs and pottery.
Constantly prodded by an urgent need to paint which drives me to the point of exhaustion, I want to transcribe my inner hustle and bustle.
View Mimouni El Houssaine Portfolio
Noureddine Daifallah
Noureddine Daifallah was born in 1960 in Marrakech, Morocco where he still works and lives. Daifallah studied at the Marrakech School of Arts as a sculptor however painting was his passion.
Daifallah works with traditional Arabic Calligraphy, with a contemporary interpretation, thus breathing new life into the noble artform of calligraphy. His unique approach through playing with letter formation, expresses a beautiful contrast to his intricate handwriting, thus evoking emotion and beauty from the Arabic script. Arabic calligraphy has a long history with the calligrapher being held in high status within the community, Daifallah has modernised this age old tradition opening a new chapter.
Daifallah’s first exhibition was when he was 17 and since his works have been exhibited in his homeland of Morocco and throughout Europe. His works have been acquired by such institutions as the Sharjah Art Museum in UAE, the Guggenheim Museum in New York and the Museum of Marrakech. He is currently a Professor of Fine Arts
Childrens Portraits – Sylvia Woodcock Clarke
Childrens Portraits (sketching from life) by Sylvia Woodcock Clarke – Throughout November.
A unique opportunity to have a sketch of your children, come and chat with Sylvia while she watches and draws your children at rest or play – From 800 AED
To make an appointment please call the gallery on +971 4 353 6233 or email majlisgallery@gmail.com
Trevor Waugh – November 2012
Coming in November, with Trevor Waugh who will lead us through skills involved in Watercolour Painting. He has been producing an abundance of sketches watercolours and oils and more recently books.
We try to keep these classes small so book early to avoid dissappointment.
Sat 17th and Sun 18th November
Tues 20th and Wed 21st November
Sat 24th and 25th November